Dave Waterman of the British Parachute Association captured Geoff Sanders and Rob Colpus in a stack over the Swiss Alps near St. Moritz.  The jumps were part of a television production for Milk Tray chocolates.

Perhaps using a Navy LST for a jump platform isn't the same as leaping out of a DC-3 at 12,500 feet but Phil Murdoch and photographer John Noak, D-6410, figured it was the best they could do at the time.  Noak shot the photo during survival training for Air Force personnel in Biscayne Bay south of Miami, FL.

Steven G. Fisher, C-9705, caught this shot of the Jumpstreet CRW team members Vince Bizzarro, Terry O'Malley, Tom Morris and Bill Kowalski in front of the Ben Franklin Bridge which spans the Delaware River to link Pennsylvania and New Jersey.  The jump was a benefit for handicapped children.

Commerical artist Chuck Prodey, D-4444, provided the illustration used as the officIal emblem for the 1982 National Skydiving Championships.  the emblem, combined with Gus Wing's color shot from last year's World Meet, provides the cover for this montH's issue of PARACHUTIST.

Clarence R. "Butch" Thorne, a free-lance graphic specialist from Washington, D.C. created this month's cover design to symbolize the long history of the Parachtue Club of America and its successor, today's United States Parachute Association.  PCA's emblem—the "triangle" so familiar to old-time jumpers—was based on a sketch found in the notebook of Leonardo da Vinci (1452-1519), who visualized a way to get man down out of the sky before man had learned to get up.  Da Vinci neither built nor tested his design.  Surrounded by a freefall formation is today's familiar USPA wings emblem.  Artist Thorne, 36, also designed the very popular 1980 and 1981 National Championships emblems—all without ever making a jump himself.  "And I have no plans, either," he says.